Genuine Fractals Print Pro 4.1
Genuine Fractals Print Pro 4.1 is onOne Software‘s Photoshop plug-in that allows you to scale photographs for printed output. The product is claimed to be better than Photoshop’s own bi-cubic feature.
Audio Visual publishing. Covers video, audio and music (to some degree) editing. Mainly aimed at sceencasting, videocasting and podcasting as multimedia methods for online publishing of content, with an eye for re-purposing this content for broadcasting.
Genuine Fractals Print Pro 4.1 is onOne Software‘s Photoshop plug-in that allows you to scale photographs for printed output. The product is claimed to be better than Photoshop’s own bi-cubic feature.
Digital Film Tools is an off-shoot of a Los Angeles based motion picture visual effects facility. Their work includes hundreds of feature films, commercials and television shows. Digital Film Tools’ President Marco Paolini won different awards, and so did his colleague Peter Moyer, who owns Film Works.
The more one uses the Kodak P880 the more there is to be surprised about in the positive sense. Professional and semi-professional quality cameras have auto focus and auto exposure built-in, but also allow you to set these manually. The Kodak P880 has these features, and has the ability to mix things.
O’Reilly is busy publishing a complete series on creative applications such as Photoshop CS2, and Deke McClelland’s One-on-One tutorial is one of the stars in the series. The book comes with Total Training Video hosted by Deke McClelland himself. The DVD contains over two hours of lessons and companion material.
Is it a coffee table book or a tutorial? Both perhaps? Indeed, both. Daniel Giordan is a renowned Photoshop artist. He has written, or rather created, a book which can be used as a coffee table book --the first chapters contain a beautiful sample of his art. But it is a tutorial and reference book as well, teaching you how to achieve some of the results in his art pieces.
Dan Margulis wrote a book on Photoshop LAB colour and the Canyon conundrum. Margulis calls LAB the most powerful colour space and explains why you should use it to enhance and correct photographs, and not only those that have a canyon as their subject.
Apple Aperture will be competing directly --albeit a subset only-- with the capabilities and features of Photoshop CS2. No doubt about that, and regardless of what Adobe may have to say. But Aperture competes with other applications as well. For example, with Digital Asset Management software.
Kodak has stopped making professional cameras. They’ve switched. To making prosumer cameras. Prosumer as in professional slash consumer. The professional part of this camera lies in its capabilities with respect to photographing modes it supports and its RAW capability. The consumer part undoubtedly includes its fixed zoom lens.
FocusFixer, TrueBlur, NoiseFixer and ShadowFixer are all Photoshop plug-ins by FixerLabs, the British developer of SizeFixer XL. Two of these plug-ins take the same approach as SizeFixer: they depend on your camera for correcting the image.
Eye Candy Nature and Textures are two Photoshop plug-ins that have been upgraded to version 5, just like Impact. They’re very nice plug-ins with which you can achieve great-looking results quickly and easily.
Alien Skin‘s Eye Candy 5 Impact is a Photoshop filter set that allows you to create a large number of interesting effects and art.
Masking in Photoshop should be easy: there’s the Magic Wand, the Magnetic selection tool, and the Extract filter. And still, masking can be quite a chore. Mask Pro, previously by Extensis, and now in Genuine Fractals’ hands, can make the job easier. But British Vertus‘ Fluid Mask makes it both easier and faster.